Last edited by Toramar
Thursday, April 23, 2020 | History

12 edition of New music composition found in the catalog.

New music composition

  • 111 Want to read
  • 13 Currently reading

Published by Schirmer Books in New York .
Written in English

    Subjects:
  • Composition (Music),
  • Music theory

  • Edition Notes

    StatementDavid Cope.
    Classifications
    LC ClassificationsMT40 .C73
    The Physical Object
    Paginationxii, 351 p. :
    Number of Pages351
    ID Numbers
    Open LibraryOL4889771M
    ISBN 100028706307
    LC Control Number76021376


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New music composition by Cope, David. Download PDF EPUB FB2

This book, currently out of print, covers most of the important of 20th century styles and techniques, with emphasis on "past 40 years" (): pointillism; klangfarbenmelodie; tone; polytonality; prepared, new and invented instruments; new performance and notation techniques; minimalism; anti-music; and mixed media by: Additional Physical Format: Online version: Cope, David, New music composition.

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There is a good book, called choral composition, which would probably answer all your questions about writing for choir. I have tried to divide up the listings into logical topics. Sometime there will be significant overlap between these texts (ex. Adler and Blatter for Instrumentation), however, I have included both because I know many musicians who are partial to.

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Most of the material in this book comes from two sources: my own composition, and my work teaching composition. Some of the material was used in an elementary course of tonal composition at the Université de Montréal.

In a curriculum of composition study, this book assumes as prerequisite: a basic knowledge of tonal harmony. Books for Learning Composition. Composing Music, A New Approach by William Russo I would recommend starting with a book on 4 part harmony, and then moving into counterpoint.

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Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new.

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